So it would usuallyīe just me and a small bunch of moody lonersĮvening at a flea pit in North London. Obsessed, it seemed like few knew what film Woman on the Run (1950) (digital copy from 35mm before only print wasĭoing this. Si muero antes de despertar ( If I Die Before IĪpenas un delincuente (Hardly a Criminal) (1949)Įl vampiro negro (The Black Vampire) (1953) No abras nunca esa puerta ( Don't Open That The Argyle Secrets (1948) New 35mm Prints High Tide (1947) - Funded by the FNF in conjunction Repeat Performance (1947) - Funded by the FNF in conjunction with the Packard The Prowler (1951) – Funded by the FNF inĬonjunction with the Stanford Theatre Foundation Since 2005, the Film Noir Foundation has saved the following They will be reissued on DVD, available in pristine, affordable form Returned to circulation, the chances exponentially increase that Ticket sales encourage studios film archives to strike new prints ofįilms that are at risk of disappearing from public view, either Still eager to screen these films in 35mm. Serves as a conduit between film companies and repertory cinemas Lesser-known titles that have slipped through the cultural cracks,Īs a focal point of the classic film noir revival, the Foundation Risk grows greater all the time that 35mm prints of some films willįall into disuse and eventually disintegrate-especially High-tech revolution lets us own vast film libraries on DVD, the Of these classic films remain in circulation for theatrical Lost or irreparably damaged, and to ensure that high quality prints It is our mission to find and preserve films in danger of being Of film noir as an international cinematic movement. Regarding the cultural, historical, and artistic significance The Film Noir Foundation is a registered 501(c)(3) non-profit public benefit corporation created as an educational resource

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